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My Evolution into Storytelling Art

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The Literary Awakening ​​For a long time, my hands have been guided by the pursuit of aesthetic perfection, the harmony of light, shadow and form.  Though my formal discipline was rooted in English and Literary Studies , my final year became a crucible for a deeper transformation. It was then that my language lecturer, Dr. Oriola, saw a potential in my art that exceeded the boundaries of my academic path. She challenged me to look beyond the surface of aesthetic beauty and instead interrogate the essence of existence. I began to realize that the narratives I once sought in literature were waiting to be 'written' through my hands and not only with ink, but through the deliberate language of my pencils. ​Meaning with Consequence ​Guided by the concept of ' pragmatic imports ,' I shifted my focus from art as a static image to art as a living dialogue . Dr. Oriola made me realize that true art possesses a life of its own; it carries a pulse that can be traced back to it...

Daughter of Nations – Progress report and the Story so far

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In the world of hyper-realism , every detail of the pencil is a search for essence. For me, an artwork truly begins long before the pencil touches the paper; it begins with a pull, a spiritual gravity that centers the narrative. For my piece, Daughter of Nations , that gravity was found in the presence of my muse. I have often said that beauty alone is a shallow vessel; it cannot carry the weight of a universal truth. What drew me to muse was something far more profound: a quiet, sacred harmony etched into the very architecture of her face. The Sacred Balance In my muse, I saw a convergence of worlds. Her features do not fight for dominance; they sit in a rare, effortless equilibrium. There is this delicate structure of her Asian heritage, paired with a nose that whispers of African ancestry, all wrapped in a skin tone shaped by the sun, the sea, and the long arc of human migration. To look at her is to look at the history of the Philippines itself, a land that has served as a sacred ...

Daughter of Nations

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Work in progress...      There are moments in an artist’s journey when a single idea refuses to let go. It grows quietly in the background until one day it steps forward and says, “It’s time!” “Daughter of Nations” came to me exactly like that. Frankly, it was not as a drawing or as a concept for an exhibition, but as a genuine revelation. The Revelation of the Face. The inspiration began with a simple observation that the human face carries the entire story of our species. Across continents, through climates and human migrations, our features like the eyes, skin, hair texture and bone structure have shifted, blended and brilliantly adapted. Yet, beneath every single variation lies one undeniable, beautiful truth that "we all come from the same beginning." For over a century now, scientific research has pointed us back to Africa as the cradle of humanity. We have the evidence of fossil records, such as the Homo sapiens remains found at Omo Kibish in Ethiopia , dated ...

Mother of Mankind - The Completed Drawing

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Awakening Series:  A Tapestry of Art, Science, and Humanity. I've finished my drawing, "Mother of Mankind," and it feels like a big accomplishment. Looking at it, I feel a mix of excitement and sadness. This piece has been a long journey, much like human history itself. In the drawing, a calm woman holds the Earth, with Africa at its heart. The shading on her skin shows our diverse heritage, and the highlights represent the strength of our ancestors. It's more than just art; it's a message about looking past our differences and seeing our shared history. Enriching Our Origins with Science Building on my earlier reflections, where I delved into Africa's role as humanity's cradle, this drawing brings my project on Africa as the cradle of humanity full circle, supported by a growing body of scientific evidence. Recent discoveries, like the ancient fossils found in Ethiopia's Ledi-Geraru region, show that early human species lived side-by-side more than 2....